The Threads Count exhibit at the Museum and Arts Center has both delights and surprises. Take this hat, for example. Interesting on the face of it. Even more interesting after you read the artist’s statement by Lauralee DeLucca from Sequim:
“Stuck by a freak snowstorm in a creepy hotel in N. CA I did this to crack my kids up. It worked and doesn’t look half bad!”
The hat is constructed from…ready?…toilet paper!
There were a number of interesting hats displayed on animal heads, or “chapooches,” as they are called by Michele Delli Gatt of Port Angeles. Delli Gatt, fond of puns and word play, entitles the hat above, covered with “Pupp Pastry,” “Great Dane-ish.” Can you see why I found this exhibit so much fun?
Lest you come away thinking this exhibit is short on traditional weaving and fiber arts, here’s a glimpse of some of the beautiful, more conventional pieces. There are also fine examples of textile techniques and some lovely woven hangings. If you’re local or happen to be coming to Sequim the exhibit is well worth a visit.
I’d heard there was a textiles exhibit at the Museum and Arts Center and took a look last week. I was glad I did. While it has a selection of beautifully woven and stitched items, the displays included the sorts of whimsical items that I never fail to find delightful. One example is “The Madwoman in the Basement,” above, by Diane Williams of Port Angeles.
I love the artist’s statement: “The Madwoman in the Basement is a self-portrait. She is constructed mostly of stuff that fell to the floor of my basement studio. I swept up and had a doll. Her hair is very much like mine, thick, multi-textured, and uncontrollable. Her glasses are a scatter pin that I got for my sixth birthday. Sometimes it pays to keep everything and make messes. Her husband thinks she’s a hoarder.”
The Peace Mandala, above, is one of two items from Pat Herkal of Port Townsend that caught my eye.
This is the second piece from Pat Herkal that I liked, called “Two Time Tina.” The artist’s statement is, “Two Time Tina is as frustrated as I am with today’s technology. We are both using all our parts to try to stay current and to hold onto our past skills.” I’m no technophobe but I can definitely relate.
The “Threads Count — Textiles, Technology and Tales” exhibit will be on display through November. I’ll show you a few more pieces tomorrow.
I discovered two cows wandering on sidewalks in Gig Harbor last month. They weren’t far from a Ben and Jerry’s ice cream shop so I guess they may have been part of a famous ice cream herd.
Not much to graze on.
The styles of the totems shown in the Royal BC Museum in Victoria are as varied as the First Nations cultures they represent.
The BC Museum totems are different from the many more contemporary totems you can find in Sequim, for example here, and here. In 2011 I did a series on the totem poles of our local Jamestown S’Klallam Tribe. If you’re interested, click here, here, here, here, and here. These two links will take you to the Jamestown S’Klallam carving shed in Blyn to show you local carvers and works in progress: here and here.
This totem is from an 1858 Kwakiutil house post in the village of Humtaspi on Hope Island. At its top is a moon figure. Beneath is the Dzoonokwa, a wild woman who lives in the woods. She is often seen with a basket on her back where she places stolen children that she intends to eat. I found this one particularly interesting as I have heard locally a Native American story about a similar child-eating character. She certainly gets around and undoubtedly has terrorized generations of children.
We recently spent two days in Victoria, British Columbia. The trip included a visit to one of my favorite spots, the Royal B.C. Museum. There we spent most of an afternoon in the museum’s First Peoples Galleries. There is a rich exploration of the lives of Canada’s First Nations people and our tour led us to their superb collection of totem poles. They’re kept in low light and my photos reflect some judicious editing. There are additional totems on museum grounds outside. Click here to take a look at a photo of these from 2010. It is part of a series on totems that I posted in 2011. I’ll share links to that series tomorrow.
Totems include Nootkan, Tsimshian, Haida and other styles that tower over visitors.
I haven’t photographed totem poles for quite a while. I will soon show you some from the Royal BC Museum in Victoria. But first here’s one from the S’Klallam Tribe that stands near the Jamestown Medical Center in Sequim. I picked up a brochure about it some years back but can’t seem to put my hands on it again.
Can you see the fence creature hanging between these posts? It’s an unexpected ornament next to a driveway. It reminds me of the sketches we used to do in school where eyes, a nose, and hands were shown poking over a fence. Perhaps that was the inspiration for this little work of art.